Could I make an appointment to see ?
way of suhagraat in islam The Wind is one of the four or five movies that best demonstrate the richness and variety, and the purity and clarity of expression that silent cinema had achieved by the time it was fatally and forever subsumed, like a lost Atlantis, beneath a deluge of sound and speech. King Vidor's The Crowd, Murnau's Sunrise, Paul Fejos's Lonesome and Fritz Lang's Metropolis all arrived, like The Wind, just in time to see silent cinema made obsolete in a matter of months in 1927-28.